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THE BUZZ: THE WORLD OF MUSIC

Launch of debut album, SECRET*

By Cindy Hacker

(S&G Records – distributed through Proper Music Distribution)

 THE ALYSON GREEN QUARTET

TUESDAY 11 OCTOBER @ 606 CLUB .90 Lots Road, Chelsea London SW10 OQD  www.606club.co.uk. Doors open 7.30pm – performances between 8pm and 10.30pm. Music charge £7  Table reservations/bookings Tel: 0207 352 5953 jazz@606club.co.uk. Alyson Green (vocals), Joss Peach  (piano), Nigel Thomas  (double bass) and Alex Eberhard (drums) . Sophisticated soulful jazz singer Alyson Green brings to her programme a unique interpretation of some of the great jazz classics, as well as material from her highly praised debut album, Secret .

 

An exciting and sophisticated vocalist who infuses every well-chosen song with a stylish and smooth delivery, Alyson Green first trained as an actress and singer. She has appeared in many high profile stage, TV and film productions including the first Superman, with Christopher Reeves and Young Winston. She also toured the UK with Grease and The Rocky Horror Show and with the Herb Miller Big Band before forming her own quartet with whom she is touring and reaching a larger fan base. Alyson was influenced by music and particular, jazz, from an early age – Alyson’s father, Gerry Green, was a professional drummer and her maternal grandmother played saxophone with, among others, the BBC Radio Big Band. Whilst her friends would listen to pop records, Alyson preferred to listen to those of Mel Tormé, Barbra Streisand and Sarah Vaughan.  Secret is a stylishly delivered compilation of 12 songs, including some lesser-known gems as Where I Belong (Lawrence Hopgood/Kurt Elling) and Horace Silver’s Love Vibrations.  Bacharach and David’s A House Is Not A Home and Cole Porter’s What Is This Thing Called Love? sit comfortably with Alan Lerner’s Show Me and the title song, Secret, an inspired  reworking of a contemporary pop song from Maroon 5. Arranged and produced by Mark Edwards, the album was recorded with Mark Edwards (piano), Jim Mullen (guitar), Andy Cleyndert (bass), Ben Castle (saxophone), Paul Robinson (drums) and Tristan Banks (percussion).  SECRET  has already gained quality reviews: “Alyson’s singing is from the heart, delicate, real and passionate. A really impressive debut” – Claire Martin, BBC Radio 3. “This may be Alyson Green’s debut recording but she brings to it a wealth of performing experience and musical savvy…Green is a sweet toned storyteller, whose completely unaffected style fuses an innate feel for the musical phrase.” – Peter Quinn, Jazzwise . “This may be Alyson Green’s debut recording but she brings to it a wealth of performing experience and musical savvy…Green is a sweet toned storyteller, whose completely unaffected style fuses an innate feel for the musical phrase.” – Peter Quinn, Jazzwise . “Alyson is a truly accomplished singer with a repertoire rich in character.” Clive Davis, The Times. “I really love this CD, the title track, Secret is a stunning version. Everyone is looking for those elusive new songs to make sense for jazz, and Alyson has done it with imagination and skill.”  - Sarah Ward, Jazz(Smooth) FM . (S&G Records – distributed through Proper Music Distribution). Secret is available from Ray’s Jazz @ Foyles, 113-119 Charing Cross Road, London WC2   www.jazzcds.co.uk and www.alysongreen.co.uk. Distributed through Proper Music Distribution

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DOUG GOCHMAN: A NEW  STAR IS BORN

By Maximillien de Lafayette

Photo: Doug Gochman, a super talent and a star in the making.

The irresistible talent of Doug Gochman makes you wonder whether LUCK has anything to do with fame and success. With strategic propaganda and good packaging, Gochman can make it big time, because he has all the ingredients of a great singer- songwriter. Only time will tell. So, yes,  the answer is you bet! Gochman just co-produced and released his first solo album "RIGHT ONTO THE TRACK". This CD could transform Gochman into a legitimate star. It is too early to predict what the critics would or could say. But, unquestionably "RIGHT ONTO THE TRACK" is a terrific album. Outstanding CD at many levels encompassing the heart felt and humanistic lyrics full with depth and substance. The words created  simplistic sweet-powerful ballads vibrant with the rhythm and reality of life. The captivating macho-intellectual voice of Gochman, the superb musical arrangements and accompaniment, and above all the perfect blend of Gochman vocal virtuosity and musical beauty created a first class recording. Could we say "virtuosity" for an existentialistic half country, half folk-on the road genre? You bet again. For Gochman voice, phrasing, projection and delivery remind you of Bob Dylan and Merle Haggard blended together into a Manhattan Martini. The CD has 10 tracks and each song is an oasis of turbulence and enchanting moments of a troubadour, an adventurer, a bohemian and a down to earth guy. Hard to pick a favorite, for all songs haunt you and chase you. But, two tunes will never leave you in peace. They will tease you and make you rethink your life priorities. They are powerful in their eloquent simplicity and disturbing truth. Here they are "TERRIBLE MISTAKE" and "TRAVELING TROUBADOUR". Stop reading this review, make your life easy, go buy Gochman's CD. You will enjoy it for years to come. Rating: 4 stars out of five.

RIGHT ONTO THE ROAD is co-produced by Denis Magoffin and Dough Gochman. Label: Brokenwave Music. Release 2005

 

STACY ROBIN ON HER WAY TO THE TOP. IT COULD HAPPEN!

"SOME KIND OF BIRD". RATING: 4 STARS OUT OF FIVE

By Maximillien de Lafayette

From within her new CD "SOME KIND OF BIRD", Stacy Robin emerged as a world-class singer/songwriter, lyricist.  Once upon a time, the substance and warmth of lyrics, the rich and uplifting musical arrangement, the choice of musical instruments, the delicate and intelligent use of percussions, the infinite equilibrium between melody, vocal virtuosity and phrasing were primordial. Robin is blessed with those rare qualities. In a world where Rap crap and disturbing heavy metal nuisance dominate the industry and box offices, we are still fortunate to be "able" to enjoy first class music, to listen to artists who surround us with lyrical beauty, vocal virtuosity, depth and uplifting musicality. And this is exactly what Stacy Robin accomplished with her "SOME KIND OF BIRD". A magnificent musical and vocal product. The CD has 13 tracks. It is a refreshing bouquet of splendidly crafted songs, delivered in an almost perfect vocal virtuosity, enriched with superb musical arrangement and nourished with meaningful and heart felt lyrics.

STACY ROBIN

Two songs in particular "FOLLOW" and "PROMISED LAND" would transport you to another enchanted dimension of pure beauty, nostalgia, sweet-bitter shadows and lights of life and beyond. "SOME KIND OF BIRD" is a monumental musical accomplishment. Lyricists Stacy Robin and Eveland wrote bigger than life lyrics. Michael Yorki on bass for "Eye of the Storm" and "Will You Be there" did a magnificent job. Seth Hartman's instrumentation on "Promised Land" (except drums and percussion) transformed the whole ambience into an oasis of musical delight on an an arid sahara. Hatman was superb. Mark Keefner excelled in  engineering and producing most of the album. The captivating percussion on all songs by Stacy Robin and or Mark Keefner (except on Eye of the Storm  by Barrie Berg) enrobed the CD with vitality and multidimensional musical variety. And to add more magic to the CD, Sam Glaser mastered the album. "SOME KIND OF BIRD" is one of the finest released CDs of the year. Highly recommended. Four stars out of five. Get a copy!

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Judy Collins

ALL TIME GREATEST ENTERTAINERS AND SINGERS

WHO’S WHO OF THE BEST AMERICAN FEMALE SINGERS-ENTERTAINERS: THE BEST AMERICAN FEMALE SINGERS ENTERTAINERS FROM THE COTTON FIELDS ERA TO PRESENT, by MAXIMILLIEN de LAFAYETTE . Read the full article

 

Bono the utlimate 'ubersexual' man

Stand aside oily womanizers and clueless wimps and make way for the passionate ubersexual man of the future.

An ubersexual?

"Ubersexuals are the most attractive (not just physically), most dynamic, and most compelling men of their generations," says New York advertising executive Marian Salzman, who invented the word. "They are confident, masculine, stylish, and committed to uncompromising quality in all areas of life." And who is ubersexual numero uno? U2 front man Bono, says Salzman because "he's global, socially aware, confident, and compassionate, and he commands a huge base of followers who are fans of his music and his humanitarianism." But you don't have to be a rock star or otherwise rich and famous to be an ubersexual. Salzman, author of a new book titled The Future of Men, has drawn up a Top-10 list of famous ubersexuals, but says any man who wants to reconnect with his masculinity -- or M-ness, as she likes to call it -- can also be one. Legions already have and are enjoying the benefits. Or so she says. "Ubersexuals," she adds, "are tired of taking their behavioural and fashion cues from their female counterparts and from men's magazines that boil men down to their basest, most simplistic. These are men who embrace the positive aspects of their masculinity -- confidence, leadership, passion, compassion -- without giving in to the stereotypes that give guys a bad name -- disrespect toward women, emotional emptiness, complete ignorance of anything cultural outside of sports, beer, burgers, and athletic shoes." Salzman has serious intent and says ubersexuals are a significant segment of the male demographic that is being overlooked by advertisers and markets. (Uber means superior in German). She says the media is so preoccupied portraying men as womanizers or clueless oafs who constantly look to women for direction that they're missing an important shift in the real world. Trendspotter Salzman coined the word "metrosexual" two years ago to describe a swath of modern males who are self-absorbed, led by women and too concerned with what others think. There are similarities between the ubers and the metros, she says, but lots of important differences. Both are passionate, but the uber is passionate about causes and principles, while the metro is mostly passionate about himself. The uber also spends more time grooming his mind than his hair. Both treat and respect women as equals, but the uber considers other men, not women, his best friends. The uber is more sensual and not at all self-conscious. He doesn't need other people to tell him he's sexy -- nor does he plan his errands around which shop windows offer the best reflection. The uber knows the difference between right and wrong and will make the right decision regardless of what others around him may think. The metro knows the difference between toner and exfoliant and worries that he's using yesterday's brand.

Save up to $500 instantly on digital TVsHere is Salzman's top 10 most famous ubersexuals, in descending order. The comments are hers.

10. Daily Show host Jon Stewart: Outspoken without regard to what others think. Supportive of women and pokes fun at himself. 9. Guy (Mr. Madonna) Ritchie: Masculinity is unquestioned even though he's married to one of the world's top music icons. Gravitating toward strong women tends to be an uber trait. 8. Actor Pierce Brosnan: His James Bond strength was never compromised when we watched him publicly mourn his first wife (and raise her children). Remington Steele's classic elegance and savoir faire. 7. Actor Ewan McGregor: Handsome, fashionable family man, McGregor is versatile enough to go from riding his Harley Davidson around the world to walking the red carpet. Comfortable in his own sexuality. 6. Barack Obama: U.S. senator who marries sentimental love of family with a new face of patriotism. Looks sharp in a suit. 5. Arnold Schwarzenegger: From body builder to mega movie star to politician, all the while keeping his shoes buffed and hair in place. He has succeeded in every challenge he's faced, and he has a Kennedy for a wife. 4. Donald Trump: Love him or hate him, The Donald is certain about what he wants and sets out to get it, no holds barred. Women find his power almost as much of a turn-on as his money. 3. Former U.S. president Bill Clinton: Born charmer with Southern roots who is not afraid to cry. He is a supremely confident, decisive leader. Supremely sexy hands. 2. Actor George Clooney: Appreciates the finer things in life (including his villa on the shores of Lake Como), and he is strongly bonded with and loyal to a cadre of male friends. 1. Bono: Is it any wonder rumours were swirling about a Nobel Peace Prize?

Etheridge says she used medicinal pot

Photo: Melissa Etheridge talks about her battle with cancer.

NEW YORK-Melissa Etheridge says she smoked medicinal marijuana to help with the side effects of chemotherapy during her treatment for breast cancer. The 44-year-old singer, who was diagnosed over a year ago, is now cancer-free. "Instead of taking five or six of the prescriptions, I decided to go a natural route and smoke marijuana," Etheridge says in an interview to air Sunday. (7 p.m. EDT). When asked how her doctors reacted, Etheridge says, "Every single one was, 'Oh, yeah. That's the best help for the effects of chemotherapy."' The singer said she smoked marijuana every day for her pain and symptoms and "the minute I didn't feel it, I stopped." The use of marijuana with a doctor's recommendation is legal in California and nine other states, but is against federal law. Asked if she was concerned about federal prosecution, Etheridge replied, "No, I didn't worry. But it was worth it." She recently released a new greatest hits album, The Road Less Traveled, including the new song I Run for Life, which is dedicated to the fight against breast cancer.

 

Welcome to his revitalized nightmare

There are, generally, two types of show biz folk. There are the rock stars who take their craft terribly seriously and disdain the mundane parts, such as answering the same interview questions over and over again. And then there are the rock stars who are simply grateful to be a rock star, and are too gracious to outwardly tire of the duties, no matter how tiresome. Alice Cooper is in the latter group, and if you didn't know, or wanted to hear it again, he'd tell you all over again why it is that he's forever confused with Ozzy Osbourne when it comes to biting the heads off birds. Or how, yes, he can be a rock star and a hardcore golfer at the same time. Cooper's newest show isn't just a routine run-through of old hits like I'm Eighteen, School's Out and No More Mr. Nice Guy. After a couple of less-than-scintillating releases, Cooper is back in fine form with Dirty Diamonds, a throwback that contains strutty glam rock-out Sunset Babies (All Got Rabies) and the tamer Perfect, on which he sounds like John Lennon. The well-balanced Cooper fest has fans rejoicing and making the declaration, "Alice is back." "Yeah, I hear that too," he says. "I never went away. Maybe this album is more relatable. "And also I kind of put everything back in the stage show. For awhile there, I was fearing that maybe I was repeating myself too much. But I realize that that's really what they want. "If you are in show business, you give an audience what they want. And they want the guillotine, they want the snake. They want the straitjacket. They want all of the bits that make them comfortable with Alice. Every once in awhile, I throw them something that makes them uncomfortable," he adds, laughing wickedly. This time out, the uncomfortable thing would be Cooper's actress daughter portraying Paris Hilton, who gets her throat ripped out by her dog. Cooper laughs. "I just figured, 'Is anybody else tired of this Chihuahua?' " he says. "And I thought, well, Paris will come out and do her little number, and she'll start talking to her little dog and the dog will go for the jugular vein. It's so funny. It's one of the funniest bits ever. And the blood is squirting all over the audience. And she's beating this dog and the dog is biting her back, and..." He stops to laugh. "I think there's always a certain amount of Monty Python sense of humour that I have," he adds. "It's a very dark sense of humour." At 57, Cooper remains enamored of the job, and unabashedly pleased with himself for creating one of rock 'n' roll's most beloved and outrageous caricatures, a cartoon villain with a campy, Halloween sense of the macabre. Cooper always likes to say he's the Capt. Hook to Peter Pan, and that Alice Cooper is a character he plays, like a theatrical performance.  By Cary Gold.

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AdvertisementRent or Buy ROBOTS - Available to buy for $29.95 in store at your local participating Video Ezy NOW! Stocks are limited!His merger of rock 'n' roll with theatre, as well as his send-up of rock 'n' roll as every conservative parent's worse nightmare, laid the foundation for Marilyn Manson -- who also took a girl name and went a step further by transforming himself into a gender-less, insect-like mutation. Both Cooper and Manson have, in their respective heydays, been blamed for everything from the Vietnam war to the Columbine high school massacre -- successfully upsetting the moral majority and providing a convenient scapegoat in difficult times. It was Manson who shone a light on the hypocrisy of blaming a rock 'n' roll star for driving people to violence. For Cooper's part, he was only trying to have fun. "Oh my God, I was the anti-Christ," he says. "I probably got banned in England, I got banned everywhere. I think that at the time I scared just about every organization in the world. I think it was because they were looking at the future of rock 'n' roll and I was making fun of it. "They were saying, 'I want to see something that I can relate to,' and I was giving them surrealism, you know," he says, laughing. Loud, too.

Unlike the 1960s folk fans, Cooper celebrated when Bob Dylan went famously electric. "We learned from The Who and The Yardbirds, there is nothing worse than wimpy rock." Legendary 1970s rock critic Lester Bangs once said of Cooper that he embodied the spirit of punk rock because the shock rocker could take a pie in the face. Cooper happily accepts the role of punk godfather. "If you look at anything the Sex Pistols did, the Sex Pistols looked at us as being their fathers. To this day, I am the only act that Johnny Lydon (Johnny Rotten) ever liked. "And after our first album came out, Lester reviewed it as 'a tragic waste of plastic.' I said, 'Wow. That's pretty harsh. That's great that he would say that.' Frank Zappa produced our first album and Lester didn't get that album. Lester picked up on us after we had a bunch of hit records. In fact, we went out of our way to be more obnoxious when we got hits. I think that's what he liked." That, and the fact that Cooper has always been more about trash and flash than pomp and circumstance. "I forget sometimes I'm Alice Cooper," he says. "I'll be at home and people will come up to me in a grocery store and say, 'I'd like your autograph,' and I go, 'Oh yeah yeah, I'm Alice Cooper.' I never have ever made it the most important thing in my life." But he is proud, too, of the influence he's had on popular culture, of his standing as a household name that will forever fall into the out-in-left-field category. "I think Alice has sort of been woven into Americana now, whereas before, I was on the outskirts, I was sort of the uncle that nobody talked about. Now I think when you say 'Alice Cooper' you're almost saying 'Vincent Price.' And I like that." As for his experience with Canadiana, it hasn't all been rosy. "I have a little history there, I fell off the stage there and broke all my ribs. That was back in the Welcome to My Nightmare days." By Gary  Gold

 

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Unplugged
Alicia Keys
AMG Rating:
Label: J-Records
Format: CD
Release Date:10/11/2005
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price:
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I Am Me
Ashlee Simpson
Label: Geffen Records
Format: CD
Release Date:10/18/2005
CD
price:
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